Heil PR-48 Dynamic Kick Drum Microphone

Heil

(6 reviews) Write a Review
Product Code: 9999-06147
$249.00
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The Heil PR-48 Dynamic Kick Drum Microphone features a PR-30 capsule and a special set of filters which creates a steep-sloping top end. Once you use one, it becomes quite clear that this mic already has a commanding seat at the big-boy's table!

The Heil PR-48 Dynamic Kick Drum Microphone is a culmination of over 2 years spent on the road with leading drummers. They gave Bob Heil their ideas, their dreams and their needs which Heil Sound turned into reality. The Heil PR-48 Dynamic Kick Drum Microphone starts with Heil's 1.5" large diaphragm dynamic element sealed in a vulcanized shock mount and fed with a specially designed low pass filter that creates a 10 dB rise from 60 to 100 Hz., right where the kick drum resonates. The PR-48 then stays out to 7.5 kHz and drops off drastically to eliminate any unwanted internal sounds. The total frequency response is 30Hz - 8.5kHz (4dB rise @ 4500Hz). Its rear rejection is -40dB @ 180 degrees off axis. It can handle +148dB SPL. What you get is one great sounding kick drum microphone!

Heil PR-48 Dynamic Kick Drum Microphone Specifications

  • Output: 3-Pin XLR
  • Rejection: -40dB @ 180 degrees off-axis / +148dB SPL
  • Frequency Response: 30Hz-8.5kHz (4dB rise @ 4500Hz)
  • Generating Element: 1 1/2" large diaphragm, dynamic, cardioid
  • Additional: Utilizes a low-pass filter with a 3dB hinge point at 30Hz and 8.5kHz
  • Mounting: Standard 5/8-27 thread
  • Uses: Kick Drum, Bass Cabinet
  • Includes the Heil Mic Screw Adapter

6 Reviews

What We Think

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The Heil PR-48 Kick Drum Mic features a PR-30 capsule and a special set of filters which creates a steep-sloping top end. I've come to appreciate that the PR-48 shows off a couple different sides, depending on where it is used. When used in the studio, you'll notice that it basically has a nice 'full kick' sound. It's not scooped or hollow. The better the preamp you use, you'll beging to notice more and more nuggets of sonic-gold in the sound. When used in the live arena, the Heil PR-48 on a kick drum is flat out THUNDEROUS. All the presence in the mid-range that Heil mics have become famous for on kick drums is still here in the PR-48. So, not only does it 'pop' in the mix like you need it to in the mids, but it feels like a cannon is going off in the room every time the kick drum is hit. Seriously, it's like a concussion-blast. The PR-48 is not a 'toppy' mic by any stretch, but I find that it doesn't need it. When you approach the kick sound without heavy-handing it, you'll begin to notice that the kick drum sits very naturally in the mix without the need for a bunch of EQ or compression. It just seems to do everything you've ever known a good kick drum mic to do... only better. Once you use one, it becomes quite clear that Heil's first dedicated offering for kick drum mic'ing already has a commanding seat at the big-boy's table.

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