The Ehrlund EHR-M Microphone is Ehrlund's most popular studio microphone. Featuring a wide absorption capacity and huge frequency range, the signal output is so strong you do not need a amplifier for it.
The Ehrlund EHR-M Microphone was created for studio use. it has been designed to deliver the cleanest sound possible. Its patented triangular membrane design has been allied to a patented very low noise and low power phantom feed amplifier. The EHR-M has both broad and smooth pickup characteristics, with deep bass and extended treble. This microphone has impressive stats in self-induced noise, sensitivity and frequency range. The output signal is strong and usually does not need much amplification.
Ehrlund EHR-M Microphone Features
- Large diaphragm condenser microphone
- Patented triangular membrane
- Patented internal amplification and power circuits
- Optimized for studio environments
- Transparent and natural sound
- Great low-noise performance
- Phase and frequency linear internal amplifiers
- Excels at distance miking
- Broad pickup range, linear frequency response even at distance or off axis
- Bass frequencies are picked up in an accurate way even at some distance
- Natural reproduction of fast transients
- Coloring of sound is negligible and true to the original source
- Frequency range spans from infrasonic bass to ultrasonic treble
- Low energy consumption, ~2.0 mA
- Strong output signal; usually doesn’t need any external amplification
- No pre-filtering needed, Ehrlund microphones are made for flat EQs
- Each and every Ehrlund microphone is stereo matched with its own model
- Handles all impedances without altering frequency or phase
Ehrlund EHR-M Microphone Specifications
- Type: Condenser microphone
- Membrane type: Triangular membrane, combines the characteristics of both large and small membranes
- Pickup pattern: Cardioid
- Frequency range: 7 – 87,000 Hz
- Sensitivity at 1kHz: -33 dBV/Pa (23 mV/Pa)
- Impedance: Handles all impedances
- Equivalent noise level: < 7 dBA
- Signal-to-noise: 87 dBA
- Dynamic range: 115 dB
- Max SPL (peak): 0.5% THD 116 dB, 1% THD 122 dB
- Power supply: 48 V Phantom power
- Current consumption: 2.0 mA
- Connector: XLR 3-pin
- Materials: Aircraft-grade aluminum body, hardened nickel-plated stainless-steel net Finish Glass bead blasting
- Dimensions: 60 mm x 155 mm
- Weight: 340 grams
Ehrlund EHR-M Microphone Includes
- Ehrlund EHR-M Microphone
- Mount (integrated)
- Wooden Storage Box
- Protective Mic Cover
- Thread Adapter
- Manufacturer Warranty
2 Reviews Hide Reviews Show Reviews
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Something different
May 23rd 2023The attraction to buy this microphone was because it was Swedish, claimed a frequency range to 87Khz, and had a self noise less than 7dB. First impressions are that it is very "open" grill with the distinctive triangular capsule, quite light with an aluminum shell, and rather "hot" in terms of output. Given there is no pad, close miking guitar amps and loud electric instruments might not practical. Placing the Ehrlund back from the subject allows this microphone to really shine with a natural presence which makes it ideal for grand piano,cellos and double basses, other acoustic stringed instruments and percussion. It handles dynamics with ease without any trill top end, but I can imagine some would not be so keen on this microphone because it can have a brutal honesty opposed to those who prefer a bit of "musical" coloration.One might say it is primarily a sound capturing instrument, and if the sound is musical, it will capture that music palette faithfully. Because of its dynamic capture range, I could see great application with this microphone for foley and atmospherics in film making. This might appear to be a strange esoteric animal in the microphone zoo, but a great addition to the microphone locker if you appreciate its special characteristics.
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Ehrlund EHR-M
Jan 8th 2022I purchased one of these mics to compare with the Roswell Pro Audio Colares and the Austrian Audio OC818's. All three are great mics, and worthy work horses in any professional or project studio. The OC818 was slightly warmer sounding than the EHR-M, and the Colares had a lot of character that was great on voices that had a lot of interest already (it seemed to enhance that) and it was a bit fuller on the bottom end, while retaining all the detail and sparkle on top without being overly bright. The OC818 was "more transparent" than the Colares, but they are supposed to be that way and it's a good thing in both of their sound. The Ehrlund EHR-M is a whole other beast. I've never heard a mic as transparent and crystal clear articulate as this mic. It's triangular diaphragm is no gimmick, it's a revelation. Never overly bright or hyped... but incredibly detailed and invisible. The bottom end is all there but even it seems more clearly defined. You don't really hear the EHR-M... you just hear what is in front of it. And you hear what is in front of it like you've never heard anything before. It's stunningly good. It sounds like you are just right in front of your vocalist or cellist or guitarist, without any piece of hardware kit between you and them - at all. Smooth, transparent and startlingly clear without ever being hyped or harsh… smooth, sweet, musical magic is what it is. I can add saturation, distortion and warmth with a plugin or pre-amp. I can't get this original pristine signal out of any other mic. I now own a stereo pair. You should too! Amazing mic. Simply stunning.
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