Antelope Goliath HD Audio Interface

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Product Code: 9999-17750
Antelope Goliath HD
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Antelope Goliath HD Audio Interface

The Antelope Goliath HD Audio Interface offers the high class pristine sound that Antelope is known for, to Pro Tools HD users, with it's HD connectivity. In addition to Pro Tools HD connectivity, the Antelop Goliath HD packs in a plethora of additional connections for anyone to take advantage of this interface.

The Antelope Goliath HD Audio Interface is a 64-Channel interface that can be used with Pro Tools HD or Native DAWs via second generation Thunderbolt, USB 3.0 or via 2 MADI connections, which are compatible with MADI to Dante Bridge products. Coming with extensive I/O options, featuring 16 Accusonic mic preamps with individual volume controls, 32 analog ins with 124dB of Dynamic Range, 32 analog outs with 129dB of Dynamic Range, plus mastering grade monitor outputs, featuring new technology that boosts dynamic range to a spectacular 132dB. The Antelope Goliath HD comes with 8 instrument inputs, 2 transformer re-amp outs, integrated Talkback mic, 2 headphone outs and a pair of analog inserts. And if this wasn’t enough, the descendant of the mighty Goliath offers also AES, MADI, ADAT and S/PDIF connectivity.

With Antelope’s proprietary HDX Delay Compensation, any analog or digital input can arrive in Pro Tools HD sample accurately in the timeline. No other interface on the market offer this level of perfect integration for digital sources to Pro Tools HD software. The Antelope Audio Real-time FX, zero latency independent software mixers and routing matrix with two alternative views are the perfect compliment to Pro Tools HD studios, which have come to expect maximum power at their disposal. Goliath HD, however, is compatible with any DAW on the market making the device the heart and soul of the highest tier audio facilities around the world. Our newly introduced full Session Presets are the perfect match for the complex and large-scale setups and projects Goliath HD was designed to handle. By offering both HD and USB3 modes, engineers can now accommodate producers and their laptop projects and integrate them into their existing HD setups by easily switching between HD and our low latency ThunderboltTM and new USB3 modes. The Antelope Goliath HD guarantees quiet operation even in the most demanding control rooms. Don’t be surprised if soon expensive machine rooms become a thing of the past.

Another reason why Goliath HD sounds like no other interface on the market is because of the world-renowned Antelope Audio Acoustically Focused Clocking (AFC) jitter management technologies it features. With over 20 years of history in digital clocking behind us, we backed the Goliath HD up with all OCX HD and Trinity sounding audio clocking. This unbeatable sonic detail and precision, combined with analog authenticity will bring your sound to the realms of hi-end audio. Now you can also spread this perfection across your whole studio as BNC connectors are available for use as Loop Sync, standard Word Clock I/O and the Antelope Audio 10M atomic input.

Antelope Goliath HD Audio Interface Features

  • 16 Class-A Mic preamps. Hi-Z, Mic & Line ins with DMR of 124 dB
  • Simultaneous streaming of 24-bit, 192 kHz audio via HDX or USB 3.0 and MADI (to Dante Bridge), ADAT, S/PDIF and DB25
  • Latest generation of ESS powered audiophile grade conversion, paired with Antelope’s 64-bit Acoustically Focused Clocking technology with BNC Word Clock I/O plus the Antelope Audio 10M Atomic Input
  • Proprietary FPGA for authentic modeling of vintage EQs, Compressors, Guitar Amps & Cabs; maintaining multiple mixers and zero latency real-time FX processing
  • Goliath HD offers high-end monitor outputs, with dynamic range boosted to 132dB
  • Touchscreen, enhanced front panel, user friendly routing, mixing and real-time effects processing via OS X & Windows compatible panel and mobile apps

Antelope Goliath HD Audio Interface Specifications

    • Analog Inputs
      • 2 x DB25 (16 channels total)
      • 16 x Mic / Line on XLR combos
      • 4 x Hi-Z 1/4″” TRS
    • Analog Inserts: 2 x Inserts on 1/4″ TRS (dedicated for inputs 1, 2)
    • Analog Outputs
      • 4 x DB25 (32 channels total)
      • 1 x Stereo pair of Monitor outs on 1/4″” TRS
      • 2 x Stereo Headphone outs on 1/4″” TRS
      • 2 x ReAmp outs on 1/4” TRS
    • D/A Monitor Converter
      • Dynamic Range: 132dB
      • THD + N: -108dB
    • A/D Converter
      • Dynamic Range: 124 dB
      • THD + N: -112 dB
    • D/A Converters
      • Dynamic Range: 129 dB
      • THD + N: -120 dB
    • Mic Preamp
      • Gain: 0,10 – 65 dB
      • THD + N: -112 dB
    • Digital Inputs
      • 2 x ADAT (up to 16 channels)
      • 1 x S/PDIF
      • 1 x AES/EBU (8 channels)
      • 2 x MADI
    • Digital Outputs
      • 2 x ADAT (up to 16 channels)
      • 1 x S/PDIF
      • 1 x AES/EBU
      • 2 x MADI
    • USB I/O: USB 3.0 Super-Speed, Type B connector
    • Thunderbolt I/O: 1 x Thunderbolt Gen2
    • HDX: 2 x mini HDX connectors for direct Pro Tools connection, 32 Channels I/O each (total of 64 channels)
    • Word Clock Input: 1 x Input @ 75 Ohms 3Vpp on BNC
    • Atomic Clock Input: 1 x 10M Input @ 75 Ohms 1Vpp on BNC
    • Word Clock Outputs: 2 x Outputs @ 75 Ohms 3Vpp on BNC
    • Clocking System
      • 4th Generation Acoustically Focused Clocking
      • 64-bit DDS
      • Oven Controlled Crystal Oscillator
    • Clock Stability: <+/-0.02 ppm, oven controlled at 64.5ºC/ 148.1ºF
    • Clock Aging: < 1 ppm per year
    • Clock Calibration: < +/-0.001 ppm
    • Sample Rates (kHz): 32, 44.1, 48, 88.2, 96, 176.4, 192
    • Operating Temperature: 0-50°C, 32-122°F
    • Weight: 6.8 kg/ 15 lbs (approx )
    • Dimensions (approx)
      • Width: 483 mm / 19”
      • Height: 81 mm / 3.2”
      • Depth: 279 mm / 11”
    • Electrical specs
      • AC Universal input: ~95-245 V
      • Power Consumption: 50 Watts Max

Antelope Goliath HD Audio Interface Includes

  • Goliath – Thunderbolt and USB AD/DA Interface
  • Owner’s Manual
  • Warranty Card
  • 1 AEC Power cable
  • 1 USB cable
  • Presonus Studio One Arist

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