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  Studio Technologies Model 212 Announcer's Console

Studio Technologies Model 212
Studio Technologies Model 212
 
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List Price: $995.00
Our Price: $995.00


Availability: Usually Ships in 24 Hours
Product Code: 9999-06381

 

Studio Technologies Model 212 Announcer's Console

Studio Technologies Model 212 Announcer's Console

Studio Technologies Model 212 Announcer's Console Details

Studio Technologies Model 212 Announcer's Console designed to serve as the audio control center for announcers, commentators, and production talent. With its digital audio input and output resources the tabletop unit is well suited for numerous applications including on-air television sports broadcasting. The broadcast-standard interfaces allow direct integration into contemporary "all digital" environments. Studio Technologies Model 212 Announcer‚??s Console integrates all on-air, talkback, and cue audio signal routing into one compact system. Some of the unit's highlights include ease of use, configuration flexibility, and sonic excellence.


Whether it's microphone preamplification, switching of main and talkback audio signals, or the headphone output, superior audio quality is maintained throughout. A microprocessor provides Studio Technologies Model 212 Announcer‚??s Console's logic power, allowing precise control of the unit's operation. A range of choices allows the desired operating configuration to be easily selected. While flexible, the user is presented with an easy-to-use set of controls and indicators. The digital audio interfaces are directly compatible with system environments that use AES digital audio signals as their preferred transmission method. Unbalanced, 75 ohm interfaces (AES3id) are standard with balanced 110 ohm (AES3) support also available.


While "all-digital" audio installations are getting closer and closer to reality, analog signals continue to play a role and will probably do so for many years. As such, Studio Technologies Model 212 Announcer‚??s Console also offers support for analog audio inputs, main output and talkback outputs functions. While requiring the installation of optional connectors or modules, these analog resources can help complete specialized applications.


A truly next-generation product, extensive research into the needs and desires of field production personnel was integral to the creation of Studio Technologies Model 212 Announcer‚??s Console. While primarily targeted for on-air television applications, specialized features are included to allow Studio Technologies Model 212 Announcer‚??s Console to be used in a variety of other audio applications. These include on-air radio broadcasting, stadium announcement, live production, and voice-over/narration booths.


Microphone Input

A high-performance microphone preamplifier circuit provides low-noise/low-distortion amplification over a 10 to 50 dB gain range. The gain is adjustable in 10 dB steps. The input is compatible with balanced dynamic or condenser microphones. The microphone power source is 48 volts nominal and meets the worldwide P48 phantom power standard. An LED indicator serves as an aid for optimizing the setting of the preamplifier's gain. The output of the microphone preamplifier is routed to the compressor circuit that supports the main and talkback audio channels.


Dynamic Range Control

A studio-quality compressor circuit is provided to control the dynamic range of the analog signal coming from the microphone preamplifier. Far from a simple "clipper," the circuit utilizes a sophisticated laser-trimmed voltage-controlled-amplifier (VCA) integrated circuit for quiet, low-distortion level control. The output of the compressor is used by the main and talkback channels, being routed to the inputs of their respective analog-to-digital converter circuits. The threshold of the compressor can be configured from among two values. With the compressor configured to ‚?"14 dBFS some dynamic range control would be expected during normal operation. While possibly inappropriate for major on-air situations, having dynamic range control of the signal can offer increased performance for many applications. This would be appropriate for applications such as stadium announcement positions, sports events using nonprofessional on-air talent, as well as situations where the risk of digital "clipping" is present. When configured for ‚?"4 dBFS, dynamic range control will only take place as the signal approaches the level limit of the digital signal. During normal operation the compressor would not be active.


Main and Talkback Audio Channels

Internally, Studio Technologies Model 212 Announcer's Console creates analog main and talkback audio channels. The main audio channel is designed to serve as the on-air, stadium announcement, or other primary audio feed. The talkback audio channel is intended to provide production trucks, control rooms, or support personnel with a talent-originated cue signal. The two analog channels are converted to 24-bit PCM digital audio and multiplexed and formatted into an AES digital audio "stream." The A/D converters and digital transmitter circuitry is synchronized ("locked") to the selected digital input signal. If that signal Is not present Studio Technologies Model 212 Announcer‚??s Console will automatically revert to an internal clock which provides a 48 kHz sampling rate. The main audio channel is assigned to digital channel 1 with talkback audio assigned to digital channel 2. The composite digital audio signal is routed to two physical interfaces. One output is AES3id compliant (unbalanced, 75 ohms) with a BNC connector for interfacing. This professional interface is transformer-coupled and capable of driving long broadcast cable runs.


The digital audio output signal is also routed to a unique bidirectional digital interface. Similar to AES3id, it uses a BNC connector and supports two channels of audio in each direction over a single 75 ohm cable. The bidirectional audio interface will find use in specialized applications, including direct integration with panel ports on Riedel¬ģ intercom systems.


For enhanced flexibility, Studio Technologies Model 212 Announcer‚??s Console includes the resources to support a third digital output. Circuitry, located on the printed circuit board assembly, creates an AES3 compliant, 110 ohm nominal, transformer-balanced digital output. Gaining access to this output simply requires adding a 3-pin male XLR connector to one of the two spare connector locations on Studio Technologies Model 212 Announcer‚??s Console back panel. Connector kits, available from Studio Technologies, make this a simple task.


Studio Technologies Model 212 Announcer‚??s Console isn't limited for use in "on-air" applications. A special feature can be enabled, placing the unit in a "production" mode. When this mode is active enabling the talkback audio channel will no longer force the main audio channel to mute. This allows the main audio channel to be used as a second talkback output. In this configuration the unit can be even more powerful when used in a live event application, such as serving as a master console for a production director. By installing optional connectors or modules analog line-level versions of the main and talkback output signals are available. These "click-free" outputs can be useful in applications where both digital and analog signals are required.


User Controls and Status Indicators

Two pushbutton switches, three LED indicators, and two rotary controls provide the user with a clear, easy-to-use interface. One pushbutton switch controls the status of the main audio channel. This is the audio signal intended for on-air, announcement, or other primary uses. Two LEDs display the on/off status of the main audio channel. A second pushbutton switch controls the status of the talkback audio channel. This is the audio output used to communicate with producers, directors, spotters, or other behind-the-scenes production personnel. A status LED is associated with the talkback button. Two rotary controls allow the user to adjust the level of the headphone output.


Operational Flexibility

Much of the Studio Technologies Model 212 Announcer's Console's unique capabilities derive from the ability to configure the on/off control of the main and talkback audio channels. To meet the needs of the many specific broadcast and production applications, a variety of button operating modes are available. The main button, located on the left side of the front panel, can be selected to operate from among four modes. In the "push-to-mute" mode the button performs a momentary mute of the main audio channel. In this way a "cough" button function is created, something typically required for television sports broadcasting. In the "push-to-talk" mode the button provides a momentary active function for the main audio channel. This mode would be appropriate for applications such as stadium announcement. An alternate action "latching" configuration allows the button to enable or disable the main audio channel as desired. This is useful in radio broadcasting, announce-booth, or voice-over applications. The fourth mode provides a hybrid function, supporting both push-to-talk and tap-to-enable/tap-to-disable operation. This operation is similar to that found in many broadcast intercom system user stations.


The button associated with the talkback function can be configured to operate from either of two modes. One of the modes supports a "push-to-talk" function. This is typically used for on-air broadcast applications. The other mode provides a hybrid function, the operation of which is discussed in the previous paragraph. The hybrid mode is especially useful when Studio Technologies Model 212 Announcer‚??s Console is used in a production-support application.


Headphone Output

Two rotary controls are provided for user adjustment of the headphone output levels. For application flexibility the actual function of the two "pots" is configurable. For traditional on-air sports applications they can be selected to the dual-channel ("level/level") mode which provides independent control of the left- and right-channel volume. For use with dual-channel cue signals, or to support user preference, the stereo ("level/balance") mode can be selected. In this mode one control adjusts the overall level of both the left and right channels, while the other allows adjustment of the left/right level balance. To help minimize the chance of broadcast cues being missed, both level control modes can be configured so that a minimum headphone output level is maintained. Alternately, the headphone output can be set to fully mute when the controls are at their minimum position. The rotary controls can also be set for a reverse left/right mode. This is provided for cases where a user needs to wear their headset "reversed" to support alternate camera angles. By using this special mode intuitive operation will be maintained and a comfortable work environment assured.


Provision has been made to support applications where a monaural cue feed is desired. A configuration switch allows the summing (combining) of the selected left and right headphone sources. In addition to creating a dual-channel mono output it also allows the level controls to be configured as a simple 2-channel mixer.


The stereo headphone output was designed to meet the needs of contemporary headphones and headsets. Specifically, the output circuits act as voltage, rather than power, drivers. In this configuration they can provide high output levels with very low distortion and noise, along with minimal current consumption. The output circuits are configured to safely drive stereo or mono loads. This ensures that all types of headphones, headsets, and earpieces can be directly connected.


Audio Quality and Protection

Studio Technologies Model 212 Announcer's Console's circuitry is carefully tailored to provide excellent audio performance. Professional-quality components are featured throughout. For reliability all audio routing is performed using solid-state devices. In all critical audio paths, "clickless" electronic switches provide noise-free control. All audio inputs and outputs make extensive use of protection components. This limits the chance of damage from ESD and other undesirable, yet real-world, hazards.


Power Sources

Studio Technologies Model 212 Announcer's Console requires an external nominal 24 volt DC, 150 milliamperes maximum, for operation. Inside Studio Technologies Model 212 Announcer‚??s Console, an internal switch-mode power supply creates the various voltage "rails" required by the internal circuitry. An external power supply is included with each unit.


Relay Contact

Studio Technologies Model 212 Announcer's Console's circuitry includes a general-purpose relay, allowing specialized configurations to be created using its two form-C (DPDT) contacts. Under software control, the relay can be configured to follow the state of either the main or talkback audio channels. Taking advantage of the back-panel locations provided for additional XLR connectors, a technician may easily implement a variety of functions such as providing an "on-air" indicator or performing loudspeaker muting during talkback.


Configuration

Studio Technologies Model 212 Announcer's Console configurations are made using a number of DIP-type switches. One 8-position switch array is used to set the gain of the microphone preamplifier, the on/off status of phantom power, and the headphone stereo/mono mode. Another 8-position switch array configures which of the IFB and auxiliary audio sources are routed to the headphone output. A third 12-position switch array communicates the desired operating modes to the microprocessor. All switches are accessible via the bottom of Studio Technologies Model 212 Announcer's Console's enclosure; the unit does not have to be disassembled. Changes made to any of the configuration parameters become active immediately. To prevent unwanted access to the configuration switches a security panel, included with each unit, is attached to the bottom of the enclosure.


Connectors

Studio Technologies Model 212 Announcer's Console uses standard connectors throughout. The microphone, IFB and line inputs use 3-pin female XLR connectors. The main and talkback outputs use 3-pin male XLRs. A ¬ľ-inch 3-conductor jack is used for the headphone output. The external source of 24 volt DC power is connected by way of a 2.1 x 5.5 mm "locking" coaxial power jack.


In the world of broadcast and production audio it's fair to say that applications vary widely. To this end, one or two additional XLR connectors can easily be mounted into the Model 212's back panel. Multiple 3-position "headers" located on Studio Technologies Model 212 Announcer's Console's circuit board provide technician access to all input and output connections. Using a factory-available interface cable kit allows a Studio Technologies Model 212 Announcer's Console to be optimized to meet the exact needs of specific applications. For example, some applications may prefer to use a multi-pin XLR connector to interface with a headset. This can easily be accomplished by adding the appropriate 5-, 6-, or 7-pin XLR connector and making a few simple connections. Other applications may benefit from having "mult" or "loop-through" connections, something easily incorporated into a Studio Technologies Model 212 Announcer's Console. One or two optional line input cards, as previously discussed, can also be mounted in the spare XLR connector positions.


Studio Technologies Model 212 Announcer's Console Features


  • Microphone preamp with selectable gain and 48 volt phantom power
  • Two digital audio input channels
  • Two pushbutton switches offer programmable "click-free" audio path control
  • Digital audio main and talkback output channels
  • Digital interfaces directly compatible with unbalanced AES digital audio signals
  • Bidirectional digital interface for direct integration with Riedel¬ģ intercom systems
  • Stereo headphone monitoring of selectable sources
  • Two rotary headphone output level controls
  • Microcontroller-directed audio routing
  • All configuration switches accessible via the bottom of the enclosure

Studio Technologies Model 212 Announcer's Console Specifications


  • Manufacturer: Studio Technologies
  • Product: Model 212 Announcer's Console
  • Frequency Response: < ‚?"0.2 dB at 20 Hz, ‚?"0.6 dB at 20 kHz, mic in/main channel out
  • Distortion (THD+N): 0.012%, measured at 1 kHz, mic in/main out
  • Signal to Noise Ratio: 77 dB, referenced to ‚?"46 dBu mic in/‚?"14 dBFS out

Connectors

  • Mic In: 3-pin female XLR
  • Main Out, Talkback Out: 3-pin male XLR
  • AES3id Out, AES3id In, Bidirectional Interface: 75 Ohm BNC
  • Headphone Out: ¬ľ-inch 3-conductor phone jack
  • 24 Vdc Power In: Coaxial power jack, 2.1 x 5.5 mm, locking bushing, compatible with Switchcraft S760K plug

Digital Inputs/Outputs

  • A/D, D/A Converters: 24 bit, 100 dB dynamic range
  • Sampling Rate: internal clock source 48 kHz, external clock source 32 to 96 kHz
  • AES3id In: unbalanced, transformer-coupled
  • Impedance: 75 Ohms
  • Minimum Input Carrier Amplitude: 320 mVpp (SPDIF compatible)
  • AES3id Out: unbalanced, transformer-coupled
  • Impedance: 75 Ohms
  • Output Carrier Amplitude (Loaded): 1 Vpp
  • Bidirectional: unbalanced transformer-coupled
  • Impedance: 75 Ohms
  • Output Carrier Amplitude (Loaded): 1.75 Vpp
  • Minimum Input Carrier Amplitude: 320 mVpp
  • AES3 In: balanced, transformer-coupled (via optional connector)
  • Impedance: 110 Ohms
  • Minimum Input Carrier Amplitude: 200 mVpp
  • AES Out: balanced, transformer-coupled (via optional connector)
  • Impedance: 110 Ohms
  • Output Carrier Amplitude (Loaded): 3.5 Vpp

Microphone Input/Preamplifier

  • Type: Electronically balanced
  • Input Impedance: 2 k ohms, nominal
  • CMRR: >75 dB at 60 Hz
  • Gain Range: 10 to 50 dB, nominal, adjustable in 10 dB steps; 0 dB (no gain)
  • Compatibility: Dynamic or phantom-powered mics
  • Phantom Power: 48 Vdc, nominal, meets IEC 61938 P48 standard

Compressor

  • Threshold: ‚?"14 dBFS or ‚?"4 dBFS, switch selectable
  • Attack/Release Time: 2 mSec/100 mSec, nominal
  • Slope: 5:1, nominal
  • Status LED: Compressor active

Headphone Output

  • Output: 1, Stereo
  • Compatibility: Mono or stereo headphones or headsets with nominal impedance of 100 ohms or greater
  • Type: Voltage Driver
  • Max. Output Voltage: 12 Vpp, 150 ohm load

Auxiliary Relay

  • Function: Software Configurable
  • Rating: 1 A, 30 W (resistive)
  • Contacts: 2, form C (Common, Normally Closed, Normally Open)
  • Access: Requires user-implemented connection scheme

Power Sources

  • External: 24 volts DC nominal, 150 mA @ 24 volts DC; acceptable range 20-30
  • Volts DC: Each unit shipped with a universal input/24 Vdc output power supply

Analog Line-Inputs

  • Inputs: 2
  • Type: Unbalanced
  • Nominal Level: ‚?"10 dBu
  • Options: Optional cards can be installed for balanced line-level analog audio sources

Analog Line-Outputs

  • Outputs: 2
  • Type: Unbalanced
  • Nominal Level: ‚?"2 dBu
  • Options: Optional cards can be installed for balanced analog main and talkback outputs

Dimensions

  • Width: 5.6 inches wide (14.2 cm)
  • Height: 3.3 inches high (8.4 cm)
  • Depth: 8.5 inches deep (22.4 cm)
  • Weight: 3.2 pounds (1.45 kg)

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