Blue Microphones Bottle Rocket Stage 2 Transformerless Large-Diaphragm Tube Microphone at FrontEndAudio.com.

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Blue Bottle Rocket Stage 2 Tube Microphone

Blue Microphones Bottle Rocket Stage 2

Purchase from 10-1-09 through 12-31-09 and receive 1 capsule of your choice FREE! View Rebate

List Price: $1,595.99
Our Price: $1,595.99

Questions? Click here to email us .

Availability: Usually Ships in 24 Hours
Product Code: 9999-04318

The following items are included FREE with this product:

1 of Blue Kiwi 20' Premium Microphone Cable ($55.00 value!)

1 of Blue "The Pop" Microphone Pop Filter ($70.00 value!)

Extra Capsule:

Description

Blue Bottle Rocket Stage 2 Details

The BLUE Bottle Rocket Stage 2 is a transformerless tube microphone with a sound all its own. It comes with a B8 capsule - the same capsule used in Blue's popular Bluebird - as well as a custom shockmount, high-definition 5-conductor tube mic cable, and an ATA-style flight case. Great for recording vocals, electric guitars, acoustic guitars, strings, drums, woodwinds, and more, you get impressive versatility and, of course, impeccable BLUE quality with the Bottle Rocket Stage 2. Fully compatible with Bottle Caps, BLUE's interchangable capsule system, you can add an array of tonal characteristics and pickup patterns to your BLUE Bottle Rocket Stage 2!

Great for recording a variety of sources
With the BLUE Bottle Rocket Stage 2 in your mic closet, you can rest assured - you've got an incredibly versatile mic, ready to tackle nearly any source. On vocals, you can get a "big" vocal sound, without worrying about overloading the mic, an incredible clean guitar sound on your electric amp, and a well-suited shimmering high-end on acoustics! With its natural highs and soft mid-range characteristics, your Stage 2 can handle nearly any member of the bowed string family, and its extended high end delivers a modern tonality when miking saxophones and other wind instruments!

Compatible with BLUE Bottle Caps
Expanding the possibilities of your BLUE Bottle Rocket Stage 2, this mic is fully compatible with BLUE's acclaimed Bottle Caps, letting you interchange your capsules. Enjoy a new tonal range as you try out larger or smaller diaphragm capsules with varying pickups patterns on different sources.

PowerStream power supply
Most tube mic power supplies apply both heater and plate voltages simultaneously once power has been switched on, attracting electrons from the not yet heated cathode - potentially causing cathode stripping, which can wear out your tube and makes it get noisier. BLUE avoids this problem with their PowerStream power supply system that delivers the tube's heater voltage first, and prevents the heater current from exceeding the limits for which the tube was designed.

Blue Bottle Rocket Stage 2 Features

Large diaphragm tube microphone
Cardioid, omnidirectional, or figure-8 or pure pressure patterns, depending on capsule
Frequency response: 20Hz - 20kHz
Sensitivity: 1kHz into 2.5k1/2: 50mV/Pa (+- 10mV depending on capsule)
Max output: +28dBV
Max SPL: 139dB
Dynamic Range: 130dB
Compatible with BLUE Bottle Caps
PowerStream power supply
Excellent on a variety of sources, including vocals, electric guitars, acoustic guitars, strings, drums, and woodwinds
Comes with an R8 capsule, custom shockmount, high-definition 5-conductor tube mic cable, and an ATA-style flight case

Blue Bottle Rocket Stage 2 Capsule Options

B0 Cardioid Large Diaphragm Capsule - Provides a bright, silky presence that's perfect for lead and background vocals, guitar, percussion, or any other source with an extended top end.
B1 Cardioid Small Diaphragm Capsule - Great for capturing nylon- or steel-string guitars, small-pitched percussion, and orchestral string instruments. The B1's extended high-frequency response also makes it perfect for drum overheads, ambient/room miking, even Foley and sound-effect recording.
B2 Figure of Eight Large Diaphragm - The "vintage capsule" of the Bottle Cap Kit, providing the richness of a well-aged ribbon mic. Use this capsule to get vintage character from brass, guitar, woodwinds, and vocals, or to take the edge off of overly-bright instruments. This capsule is also great for acoustic and electric bass, cello, and even whistling.
B3 Cardioid Mid-Sized Diaphragm - Very transparent, with a neutral sound that's optimum for female vocals, distant miking of orchestral groups and instruments, distorted electric guitars, basses, banjos, mandolins, and resonator guitars. The capsule also lends a "folky" tone to acoustic guitars.
B4 Perspex Sphere Omni Small Diaphragm - Captures lush lows and sweet highs; it's perfect for the ambient recording of classical and orchestral instrumentation, as well as background vocals, organ, accordion, and drums.
B5 Pressure Omni Large Diaphragm - The "presence omni." Possessing a unique compressed quality, the B5 features a highly accentuated low and high frequency response that's well suited to capturing high-transient sources like acoustic guitars and percussion. The capsule's extra presence boost also helps tracks cut through a dense mix.
B6 Standard Cardioid Capsule - designed for the Bottle, and features a frequency response suitable for vocal and general instrument capturing. Blue describes it's sound characteristics as "larger than life", and the cardioid polar pattern is sure to effectively reduce off-axis ambient noise and feedback.
B7 Cardioid Large Diaphragm Single Backplate - Provides detailed mids and an airy presence, perfect for that "vintage vibe" on vocals, saxophone, flute and all types of guitars. It's also optimum for conventional jazz recording.