Rode NT1-A Complete Recording Solution

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Product Code: 1838
Rode NT1-A
Out Of Stock, Currently On Order

This item is currently on back order with the manufacturer but we have more on order. Go ahead and place your order to ensure you get one when they are back in stock. We will keep you updated as we are provided information on the arrival. If you have a deadline then please contact us before placing the order so we can meet your expectations.

Rode NT1-A Complete Recording Solution

The Rode NT1-A Complete Recording Solution combines NT1-A cardioid condenser microphone, a shock mount with detachable pop filter and other accessories - all in one package to meet all your recording needs!

The Rode NT1-A Complete Recording Solution contains the Rode NT1-A cardioid condenser microphone that has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the world’s most expensive microphones. With a self-noise level of only 5dBA it is widely recognised (along with the Rode NT1) as one the world's quietest studio microphones. This low noise makes it an ideal vocal microphone as well as perfect for recording guitars and percussion.

Packaged in the 'Complete Vocal Recording Solution', the Rode NT1-A includes everything you need to get a truly professional vocal recording and is ideal for home studio recording.

Rode NT1-A Complete Recording Solution Features

  • Large 1" (25mm) Capsule with gold plated Diaphragm
  • Cardioid Polar Pattern
  • Self noise of only 5dB (A)
  • Ultra low noise, transformerless surface mount circuitry
  • Wide Dynamic Range
  • Gold plated output contacts
  • True Condenser (externally biased)
  • Internal Capsule shock mounting
  • A studio grade pop shield and shock mount
  • Premium 20' microphone cable
  • Dust cover to protect your microphone
  • Also available as a matched pair ( Rode NT1-A-MP)

Rode NT1-A Complete Recording Solution Specifications

  • Acoustic Principle: Pressure Gradient
  • Active Electronics: JFET impedance converter with bipolar output buffer
  • Capsule: 1.00"
  • Polar Pattern: Cardioid
  • Address Type: Side
  • Frequency Range: 20Hz - 20kHz
  • Output Impedance: 100O
  • Maximum SPL: 137dB SPL (@ 1kHz, 1% THD into 1KO load)
  • Maximum Output Level: 13.7dBu (@ 1kHz, 1% THD into 1KO load)
  • Sensitivity: -31.9dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
  • Equivalent Noise Level (A-weighted): 5dB-A
  • Signal to Noise Ratio: >88 dB SPL (A - weighted per IEC651)
  • Power Options: +24V phantom power, +48V phantom power
  • Output: XLR Output
  • Weight: 326gm
  • Dimensions: 190mmH x 50mmW x 50mmD

Rode NT1-A Complete Recording Solution Includes

  • Rode NT1-A Microphone
  • Rode Shock Mount with Detachable Pop Filter
  • Shielded XLR Cable
  • Microphone Dust Cover
  • 1 Year Warranty (free 10 years extension following registration of your microphone)

12 Reviews Hide Reviews Show Reviews

  • 5
    Condensor Microphone

    Posted by Ken Noble on Mar 5th 2021

    I purchased this microphone to do some recording with my daughter. I could not be happier with the sound and quality. Front End Audio did a great job in getting it to me quickly and meeting my expectations!

  • 1
    Good For a Dull Sounding Guitar but Not Much Else

    Posted by Rob Coates on Jul 24th 2015

    Having owned one of the original Rode NT1s, I liked the relatively flat frequency response it had with just a little bump in the upper register. It was a little grainy sounding though so I was eager to get and try the newer version NT1a. However, I found that instead of improving the mic by smoothing out the top end, they actually managed to make it worse. Sounded to me like a very hyped high end. Couldn't find many sources it was good on. The one possible exception is a dull sounding acoustic guitar with dead strings. Anyway, I can't recommend this mic. I'd say look at something like the ADK Hamburg or better yet, for a few more dollars, get a world class mic: The M-Audio Sputnik.

  • 5
    Ryan and his team rocks!!!!

    Posted by Pankaj Mandalia on Nov 12th 2013

    This is a great place to do business with!
    Honest, no-nonsense, technically qualified sales people who will not push you into anything for sake of profits!!!!

  • 5
    very popular and easy to "learn" mic

    Posted by Daniel Infield on May 17th 2012

    NT1-A is really the only mic in its price range that you'll keep around after you upgrade to the big boys. As an LDC, it's a bit dark, but for cheaper mics that's definitely the better side to err. Good for vocals and acoustic guitars; shines for female background vocals in full mixes. Better S/N characteristics than other mics of its class.

  • 5
    A Mic for everything!

    Posted by Oscar Pestana on Feb 29th 2012

    Excelent for Vocals but, beyond that, also great for guitar cabinets, Floor Toms, Room miking, acoustic guitars and so on. This is a gear that can be used on every king of recording with the correct Mic Pre. Rode did it again! Awesome!

  • 4
    NT1-A review

    Posted by David J. Jones on Dec 20th 2011

    The NT1-A is a great mic at its price. Sounds distinctive but in a way that conveys quality as well. Straight through a gain only preamp, it sounds like it's in the mid range of sensitivity and quiet. The good thing about the mic is you really shouldn't process it at all, because the the sound is slightly smooth as though it went through an expensive preamp. It was probably designed that way so home recorders can go directly in without anything between the mic and the deck.

  • 4
    Great sound for the price

    Posted by Jonisio on May 1st 2011

    Very versatile ,voice, acoustic guitar ,with very affordable price, I do recommend it for small home studios.

  • 5
    Outstanding Value

    Posted by Anonymous on Mar 22nd 2011

    I have a decent home studio and for the past year the NT1-A has been my "go-to" mic for both vocals and acoustic instruments (classical guitar, jumbo dreadnaught, acoustic bass guitar, mandolin and bouzouki).

    I also use it to record djembe, cajon, timbales, rhythm blocks, tambourines etc. Percussion mics are specialized and the Rode isn't very useful for a full drum kit, but for the type of solo percussion I'm into--cajon and djembe--it does an outstanding job.

    You can spend $1500 on a pro condenser mic that's slightly better (you might hear a difference in the studio but not in a live performance), or you can buy an NT-1A and have enough bucks left over to add a chunk of money to your Gibson fund (or whatever else you've been coveting).

  • 5
    Great universal recording microphone.

    Posted by Frantisek Zustin on Aug 23rd 2010

    Large Diaphragm Condenser microphone RODE NT1-A is great for recording of vocals, acoustic instruments, guitar amps. That is the reason, why is the TOP10 microphones in my studio.
    This microphone has beautiful sound with a self noise only of 5 dB!

    I use to record many kinds of vocal, instruments with lots of microphones. Not every microphone is that universal, it can record an opera singer or trumpet and in other application it can record jazz singing with clear articulation. RODE NT1-A can do all these things!

    If you need to record any instrument or any type of human voice, RODE NT1-A is really for you!
    Buy it and you'll be surprised like me, when I've bought it three years ago.