Eventide Reverb 2016 Stereo Room Native Plug-In
The Eventide Reverb 2016 Stereo Room Native Plug-In is a powerful audio engineering plug-in for Avid AAX, Apple Audio Units, and Steinberg VST formats. The Reverb 2016 Stereo Room brings you the legendary Stereo Room reverb algorithm from the Eventide SP2016, a multi-effects box still prized today.
The Eventide Reverb 2016 Stereo Room Native Plug-In is used as an essential reverb for mixing hit records. It offers the naturalness of the sound with the feel of a real room. The algorithms naturally simulate every aspect of the sound of a real enclosure.
The Art of Reverb
The Eventide Reverb 2016 Stereo Room Native Plug-In was crafted to simulate a great sounding room. Delay lengths, reflections, and other properties of the virtual room were carefully considered in the modeling. This combination of art and science results in a natural, yet distinctive sounding reverb. The simple intuitive controls allow you to fine tune the perfect space for your sound - whether its a dark hallway or a bright studio vocal room.
Originally found on the SP2016 rackmount, which has been used on hit records for decades, the Eventide Reverb 2016 Stereo Room Native Plug-In features hand crafted artist presets from Joe Chiccarelli, George Massenburg, and Dave Pensado. Capable of both lush and subtle sounds, its also easy on your CPU. Use multiple instances to bring out the character of different parts of a track - 20 instances in one session? Go for it!
Own the Legend
Since its debut in 1982 as the go-to reverb in the SP2016 rack effects unit, Eventides Stereo Room algorithm has been the gold standard for a room reverb that sits nicely in a mix and positions your sound in an acoustical space without washing out the integrity of the source. This is why Allen Sides, Mick Guzauski and Jack Douglas have been proud adopters and to this day its still in use in world-class studios like Ocean Way.
Eventide Reverb 2016 Stereo Room Native Plug-In Features
- Natural and distinctive sounding room reverb
- Simple, intuitive parametric controls that prevent unnatural results
- Complex early reflections resembling those of an actual great-sounding room
- Smooth decay tail that sits in the mix
- Novel Position control for precise mic placement in the virtual room
- Diffusion alters the character of the space - from sharp to rich
- Dedicated EQ controls to further sculpt your sound
- Low CPU hit - use as many instances as you want!
Eventide Reverb 2016 Stereo Room Native Plug-In Specifications
- Platform Compatibility:
- Windows: Microsoft Windows 7+
- OS X: Apple OS X 10.7+
- DAW Compatibility:
- Pro Tools 10 +: AAX Native
- Cubase 7+: VST2
- Nuendo: VST2
- Wavelab: VST2
- Logic 8+: AU
- Ableton Live 7+: AU, VST2
- SONAR: VST2
- Studio One: AU, VST2
- Digital Performer: AU
- Reaper: VST2
- GarageBand: AU
Eventide Reverb 2016 Stereo Room Native Plug-In Downloads
What We Think
"There is something really special about the Eventide Reverb 2016. Having used the Eventide Princeton Digital Reverb 2016, I was already very familiar with the algorithms included. Aside from the difference in sound of running through the hardware converters, the sounds contained herein are faithful and accurate (note that the Eventide Princeton Digital Reverb 2016 does have digital I/O which when used, effectively negates this difference).
The Reverb 2016 is a natural for drums - and this accurate assessment is especially reinforced by it's labeling as '2016 Stereo Room Reverb' in the plug-in list in my DAW. While it really adds a spacious and realistic front to back dimension to drum tracks, this is by no means a one trick pony. In fact, you will have little doubt of that fact once you take a look and listen at the presets offered up by industry giants such as Ross Hogarth, Joe Chiccarelli, and even George Massenburg, you'll realize just how legendary the original unit is. This unit really does everything from rooms to slappy/verby vocal washes, to faithful vocal chambers. It's definitely a tool for shaping the width of the signal produced as well.
Lastly, the price is nice for such a musical and important plug-in. No one reverb is going to do it all, as they all have their own nuances and character. So, dig in and find out what it can do for you. I pretty much guarantee you'll love it."
- Front End Audio
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