The Great River ME-1NV Preamp is that 'if you can only have one' microphone preamplifier. It does so much... and so much GOOD to your sound. Looking to make a vocal powerful? Make a kick drum really move some air? Make a snare drum jump out of the monitors? Impart some rich life onto an acoustic guitar? More? Then the ME-1NV is your weapon of choice.

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The Chandler Limited’s REDD.47 microphone pre-amplifier is a recreation of the original valve line amplifiers used in Abbey Road Studios’ heralded and rare EMI REDD.51 recording consoles circa 1959-1968.

We at Front End Audio created the Chandler Limited REDD.47 Preamp Stereo Mix Bundle to help meet the desires of engineers and producers to add an incredible and classic depth and character to your mixes in only the way that a pair of REDD.47 amplifiers can.

The Summit Audio 2BA-221 Preamp is a continuously variable impedance microphone, line and instrument preamp with polarity, pad and level control. Featuring mic level, line level, and Hi-Z instrument inputs, the 2BA-221 utilizes separate and individually controlled solid state inputs to mix the mic input with the Hi-Z or line input into the variable vacuum tube stage.

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The Summit Audio ECS-410 Everest Channel Strip is a distinctly different, four section analog processor and microphone preamp, ideal for tracking and processing your most important signals. Each section is completely independent with its own fully balanced I/O and the ability to route each section together internally using TouchPatch, an intuitive routing system.

The Crimson Audio Mogaine is a phantom powered, fixed-gain "pre" preamp that delivers 25dB of low distortion, wide bandwidth, quiet gain for your ribbon microphone! Mogaine also prevents signal content losses that occur with improper impedance matching between your ribbon mic and preamps designed for lower impedance microphones. With Mogaine, you'll finally hear what your ribbon mic actually sounds like without the collateral damage imparted by lesser devices.

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The Retro OP-6 Microphone Preamp brings the power and sound of the revered and legendary RCA OP-6 microphone preamplifier to the user and studio of today. If gigantic, lush, warm, and gooey totally tubular valve mic-pre sounds are in your wheelhouse, then you need the OP-6 in there to set the standard for all other tube preamps to follow.

The Black Lion Audio B173 Microphone Preamp is a homage to the highly revered Neve 1073 microphone preamp. But don't let the price tag fool you! This is not only a serious contender for the most “bang for your buck” preamp in existence, but sonically the B173 stands on its own at any price point.

The Black Lion Audio B12A MKII Preamp is what happens when you take the stately B12A and add some extra special sauce! You get the B12A MKII! With a titillating Cinemag input transformer, less noise, and more API style gain than ever before, the B12A MKII will sweeten your preamp collection for years to come!

The Grace Design Felix Acoustic Instrument Preamp is a studio grade 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments.