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  Universal Audio LA-3A Dual Classic Audio Leveler
 

Universal Audio LA-3A Dual
 
List Price: $3,899.00
Our Price: $3,299.00
You Save $600.00!



Availability: Usually Ships in 24 Hours
Product Code: 9999-03760


Description
 
Universal Audio LA-3A Dual Details
The original LA-3A Audio Leveler made its debut at the 1969 NY AES show and marked the departure from the tube design of the Teletronix LA-2A Leveling Amplifier. The LA-3A incorporated components and design concepts from the Putnam-designed 1176LN Limiting Amplifier. Immediately embraced as a studio workhorse and still widely used today, the LA-3A remains a favorite of engineers and producers worldwide for its unique compression characteristics and sonic signature.

Our UA Classics reissue of the LA-3A meticulously retains all the internal and external qualities of the original: The same simple control set, and the T4 electro-optical attenuator, which is the source of the LA-3A’s program dependent compression. It also retains the 2RU half-rack design, and comes complete with a single-unit rack assembly--no additional kit is necessary. All the original rear panel connections and controls are also maintained, while the commonly performed “LA-3A gain mod” is added as an additional switch for maximum studio versatility.
 
Universal Audio LA-3A Dual Featured
  • Classic Solid-State Opto-Compressor
  • Custom UA transformers and T4 cell
  • Discrete, Class A amplifier: up to 50dB gain
  • Rear-panel "Gain Mod" switch for gain control
  • Designed by ex-UREI engineer Dennis Fink
  • External connections: Jones Barrier terminals and XLR connectors
  • Gain Reduction: up to 40dB
  • Distortion: Less than 0.33% at +24dBm
  • Frequency Response: 20Hz - 20kHz +/- 0.5dB
  • Noise Floor: +-80dB below program at threshold of limiting
  • Gain: 30 +/- 1dB, 50 +/- 1dB
  • Output Level: +20dBm nominal
  • Input Level: 0dBm @ 50dB gain; +20dBm @ 30dB gain
  • Attack: 1.5ms or less
  • Release: 0.06s for 50% release
What We Think:
"The Universal Audio LA-3A is in many respects the child of marrying an LA-2A's opto circuit characteristics of compression and limiting with the agressive and pleasantly 'furry' amplification and output circuitry of the 1176LN. Thick and smooth all at once, it is not quite either of it's parents and exhibits a unique character all it's own. While it may not be quite as well documented in the lore and legend of recording as it's immediate counterparts, the LA-3A is no less powerful a voice and rounds out compression's 'Power Trio'. Pair up a couple of LA-3A units and you will have an opto stereo compressor that creates a very nice glue to your mix."
ALAN MOON - Front End Audio 
 
 

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