• High quality mic pre-amp with selectable 48 volt phantom power, direct instrument input and selectable line input.
• Classic F.E.T compressor with variable attack, release and ratio. V.U. metering shows gain reduction and output level.
• Extremely musical four band equalization with shelving high and low frequencies having selectable turnover points. Two individual swept mid ranges and 50Hz low pass filter.
• Stereo link facility for the two compressors means they can operate individually or as a stereo pair.
• Compact 2U rack mounting unit effectively provides two feature packed recording channels in one conveniently sized rack unit.
• Balanced xlr input for mic, balanced xlr and jack for line input and line output.
• 1/4” thick anodized aluminum sculptured front panel and solid construction.
• Extremely competitive price.
• Microphone Impedance: >1.2K- ohm balanced
• Line Impedance: >15K ohm electronically balanced
• Instrument Impedance: >100K ohm unbalanced
• Microphone Gain: 60dB
• Line Gain: -20 to +20dB
• Instrument Gain: 36dB
• Output Impedances: XLR: <100 ohm electronically balanced Jack: <100 ohm unbalanced
• Microphone Input Noise: Microphone: <-128dBu ref 150 ohm (20Hz-20kHz)
• Line Input Noise: Line: <-75dBu (Eq. In, 20Hz-20kHz) <-70dBu (Compressor In, 20Hz-20kHz)
• Maximum Mic Levels: Mic Input: <+24dBu at all frequencies (Compressor out)<+15dBu at all frequencies (Compressor in)
• Maximum Line Levels: Line Input: <+24dBu at all frequencies (Compressor out)<+15dBu at all frequencies (Compressor in)
• Maximum Instrument Levels: Instrument Input: <+24dBu at all frequencies (Compressor out) <+15dBu at all frequencies (Compressor in)

What We Think

The Toft ATC-2 is just about the best bang for the buck you can get when you need solid, highly effective EQ that sounds great and can be pushed, to very nice preamps with an all purpose sound, to a decent instrument D.I., to an FET compressor that does the smash job thing pretty well. All around high quality look, feel, and most important…sound!