| Rupert Neve 5042-H Portico "True Tape" Emulation and Line Driver (Horizontal) Details
The Rupert Neve 5042-H Portico "True Tape" Emulation and Line Driver (Horizontal), winner of the 2006 TEC award for signal processing hardware, provides a remarkable simulation of true tape sound through the inclusion of genuine tape drive circuitry. When the Tape circuit is not engaged, the 5042 may be used as a full, transformer-coupled, high-performance line amplifier that includes a Gain range of + and - 12 dB. The Portico 5042 Two Channel “True Tape” Emulation and Line Driver unit’s emulation circuit provides the nostalgic rounding and compression usually only achieved by the use of tape. This typically offsets the harshness often found in digital recordings. The Portico 5042 incorporates an actual tape drive circuit that feeds a tiny magnetic “head” which, in turn, is coupled to a correctly equalized, replay amplifier. The only thing missing is the tape itself!
The Portico 5042 consists of two identical Line Driving amplifiers having transformer balanced inputs and outputs. The sonic quality of these amplifiers is such that, by providing galvanic isolation, simple single-sided circuit topology and freedom from grounding problems they are capable of enhancing the sonic quality of many signal sources, especially those of digital origin. The sonic “signature” is one of extreme purity and the image is consistent with that of Rupert Neve’s original designs of 35-40 years ago.
The Portico 5042 host line amplifier has a much higher output level capability than the “tape” circuit embodied within it. The gain of the Record and Replay amplifiers has been adjusted so that with the TRIM control set to 0 dBu, and the ENGAGE TAPE button out, an incoming signal of 0 dBu, will cause the first meter LED to illuminate.
Now, with the ENGAGE TAPE button pressed and the SATURATION control at MIN, the same first meter LED will continue to light regardless of whether the meter button is set to INPUT LEVEL or TAPE LEVEL. This is the minimum recommended record level. When the SATURATION control is rotated to MAX, this is the maximum recommended record level.
An input signal level that is appreciably below 0 dBu (the 0 dB LED on the meter not lighting at all), for example, if you are feeding the Portico 5042 from a consumer Hi-Fi source, the tape effect still works but you might have to make up gain elsewhere in your system. Of course this would tend to bring up noise, just as it would on a real tape recorder.
If the incoming signal is low, (for example from a consumer Hi-Fi source), it is recommended that you rotate the TRIM control clockwise to bring the incoming signal level up to the point where the first, or LINE UP LED is just illuminated. However, with the meter switched to TAPE LEVEL, when you rotate the SATURATION control clockwise the TAPE LEVEL meter progressively illuminates. At MAX, with an incoming 0 dBu signal, the Tape circuit is running just below clipping point.
MAIN OUTPUTS The main output signals come from the output transformer secondary which is balanced and ground free. A ground-free connection ensures virtual freedom from hum and radio frequency interference due to ground loops. Ideally the output of this module should be fed to a balanced destination such as the input to another Portico module or one of the many high quality vintage modules still in current use. The main outputs may be used with one leg grounded without any change in performance.
Maximum output level of the Portico 5042 is + 25 dBu, which provides a large margin over and above the likely maximum requirement of any destination equipment to which the Portico 5042 is connected.
Rupert Neve 5042-H Portico "True Tape" Emulation and Line Driver (Horizontal) Downloads
What We Think
"I love compressors, but I usually get my mix together on the channels rather than leaning on compressing my stereo mix, mainly due to how so many compressors can grab EVERYTHING and choke the life out of a mix. When I had the luxury of mixing to 1/2-inch, I used to sit in front of the monitors and bask in the wonderful results of what the electronics of the Studer and the tape would do to help glue the mix together. However, working in the box with tape-simulation plug-ins, though there are some really good ones available, has still left a little to be desired. The Rupert Neve 5042 Portico "True Tape" Emulation and Line Driver has really solved some of the issues of getting my mixes "glued" together as a cohesive track. That snare drum that seems to poke out un-naturally, is now reeled into the other instruments all the while retaining all it's definition and musicality. Though when used properly, it is not a heavy handed effect on the surface. However, to the discriminating engineer, this will certainly become a must-have piece as it has for me."
Alan Moon - Front End Audio
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Does what you expect, but it is a hum magnet 
