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  Rode NT1-A Studio Condenser Microphone w/ Shock Mount
  Rode NT1A Studio Condenser Microphone
Rode NT1A Studio Condenser Microphone
Rode NT1A
 
List Price: $369.00
Our Price: $229.00
You Save $140.00!



Availability: Usually Ships in 24 Hours
Product Code: 1838


Description
 

Details

 

The Worlds Quietest Studio Condenser Microphone

 

The RODE NT1-A. Winner of the Electronic Musician 2004 Editors Choice Award and the world’s quietest studio condenser microphone. This redesigned version of RODE’s classic NT-1 has only 5 dBA of self-noise.

 

The NT1-A has become an industry standard providing the warmth, extended dynamic range, clarity and high SPL capability usually only found with some of the most expensive microphones. Finished in durable satin nickel, the NT1-A is supplied with a shock mount and zip pouch.

 

Specifications

 

  • Acoustic Principle:
    Externally polarised 25 mm (1”) condenser.
  • Active Electronics:
    JFET impedance converter with bipolar output buffer.
  • Pickup Pattern:
    Cardioid.
  • Frequency Response:
    20 Hz ~ 20 kHz.
  • Output Impedance:
    100 Ù.
  • Sensitivity:
    -31.9 dB re 1volt/pascal (25 mV @ 94dB SPL) +/- 2 dB
  • Equivalent Noise:
    5 dBA SPL (per IEC651, IEC268-15)
  • Maximum Output:
    + 13.7dBu (@ 1% THD into 1kÙ)
  • Dynamic Range:
    132 dB (per IEC651, IEC268-15)
  • Maximum SPL:
    137 dB (@ 1% THD into 1KÙ)
  • Signal/Noise:
    88 dB (1kHz rel 1 Pa; per IEC651, IEC268-15)
  • Power Requirements:
    P48, P24 Phantom
  • Packed Weight:
    820 gm (Mic only 326 gm)
 

Average Customer Review: Based on 1 Reviews. Write a review.

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  0 of 0 people found the following review helpful:
 
My best microphone buy April 13, 2006
Reviewer: Bojan Sernek from Ljubljana, / Slovenia  
I wasn't really sure what to expect of this mike, since I hadn't tried any Rode gear before, but this mike definitely gets my thumbs up. I use the "matched pair" variant for the drum overheads, and most of the comments I get from drummers I record are "you made my cymbals sound like Sabians". Which is a very good thing indeed - everyone loves those expensive bright cymbals.

I've also used them on female vocals, which is what this mike does very, very good. I've tried it with more than a dozen, and it never fails to make the vocalists in question sound big and present.

Be warned, however, this mike is hot! It's got a healthy output but at the same time very low noise floor. There are some things I couldn't get it to do well, however, like certain male vocals that had this certain harsheness, no matter how you attempt to EQ it out - it always, however, happened with aggressive singers and never with a female vocalist.

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