| Eventide Reverb 2016 Digital Audio Effects Processor Details
Eventide's Reverb 2016 Digital Audio Effects Processor features algorithms identical to the original Eventide SP2016. However, the hardware implementation is state-of-the-art, with features that include a high performance 24 bit DSP, 24 bit analog audio I/O, digital I/O and MIDI interface.
The Reverb 2016 is built to reverb: it's not a multi-effects box. It was designed from the perspective that reverb is used nearly always and warrants a dedicated box with an optimal user interface. The Reverb 2016 UI is extremely easy-to-use featuring dedicated controls for each of the effect's parameters. The controls and display are intuitive. The UI is optimized for the studio and for live performance. Up to 99 user presets can be stored.
While recreating the original reverbs is the Reverb 2016's raison d'etre, it also features brand new, enhanced versions of the originals. These "New" reverbs are not a breakthrough: they have the same basic structure of the originals but with more complex early reflections, higher density, and finer control of the parameters. The "New" reverbs represent the natural evolution of the development work that maxed out the array processing power of the SP2016.
Eventide Reverb 2016 Digital Audio Effects Processor Features
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Store up to 99 User Presets
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Dedicated reverb processor - NOT a multi-effects unit
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Single rack space design
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24-Bit DSP
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24 bit analog audio I/O, digital I/O
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MIDI interface (System Exclusive Control)
Eventide Reverb 2016 Digital Audio Effects Processor Specifications
Audio Input
Audio Output
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Connectors
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Impedance
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Levels
Digital Input/Output
Digital S/PDIF Input
Environment
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Operating temperature
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Storage
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Relative humidity
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Throughput delay
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THD
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Crosstalk
Dimensions
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Width 19"
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Depth 6"
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Height 1.75"
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Weight tbd
Reviews
What We Think
"The Eventide Princeton Digital 2016 Reverb has become a piece that I just don't ever want to live without... PERIOD. Reverb plug-ins, while convenient, sometimes lack the depth and bredth exhibited by their hardware counterparts. My experience with the 2016 exemplifies this phenomeonon. By comparison to the classic sense of space one gains in their mixes when using the 2016, plug-in reverbs typically are smashed into the same dimension as the instrumental elements; not around and behind the instruments. Gaining this sense of depth is not a problem in the least when using the Eventide 2016."
Alan Moon - Front End Audio |
