Rode NT2-A Large-Diaphragm Condenser Microphone w/ 3 Polar Pickup Patterns, High-pass Filter and Pad at FrontEndAudio.com

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Rode NT2-A Large-Diaphragm Condenser Microphone

Rode NT2-A

List Price: $699.00
Our Price: $399.00
You Save $300.00!

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Availability: Usually Ships in 24 Hours
Product Code: 3420

The following items are included FREE with this product:

1 of Rode Pop Shield Premium Pop Filter ($49.99 value!)

Description

Rode NT2-A Large-Diaphragm Condenser Microphone Details

The Rode NT2-A carries on the tradition forged by the now legendary R�DE NT2. A professional large capsule (1") studio microphone incorporating three-position pick-up patterns, PAD and high pass filter switches conveniently located on the mic body.

At the heart of the NT2-A is the Australian designed and manufactured HF1 dual diaphragm capsule. The frequency and transient response of this transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50's and 60's. These features provide the flexibility and superlative audio characteristics that make the NT2-A one of the most versatile condenser mics available.

The NT2-A's variable controls allow switching between Omni, Figure 8, and Cardioid polar patterns. The three position high-pass filter provides a flat response or an 80Hz and 40Hz high pass filter to be selected. Finally the microphones Pad can be switched between 0 dB, -5dB and -10dB. The NT2-A comes in a soft pouch with an M2 stand mount.

Rode NT2-A Large-Diaphragm Condenser Microphone Features

The Australian designed and manufactured HF1 1" edge terminated, gold sputtered, dual 5 um diaphragm capsule.
3-position variable polar pattern: Omni, Cardioid & Figure 8; all controlled on the mic.
3-position variable high-pass filter: Flat, 80 Hz or 40 Hz.
3-position variable pad: 0 dB, -5 dB or -10 dB.
Ultra low noise, transformerless SMT circuitry.
Wide dynamic range.
High strength heat-treated steel mesh head.
Durable satin nickel finish.
Internal capsule shock mounting.
Supplied complete with soft pouch and clip.
Designed and manufactured in Sydney, Australia.

Rode NT2-A Large-Diaphragm Condenser Microphone Specifications

Acoustic principle: Externally polarized 25 mm (1��) dual diaphragm.
Directional pattern: Multi-pattern (see graphs over)
Frequency range: 20 Hz ~ 20 000 Hz (see graphs over)
Polar patterns: Cardioid, Omni, Figure 8
Output impedance: 200 Ohms
Signal/Noise ratio DIN/IEC 651: 87 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equivalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum SPL: 147 dB (@ 1% THD into 1 kOhm) 157 dB (@ 1% THD into 1 kOhm) - pad at maximum
Sensitivity at 1 khz into 1 kOhm: -36 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/-2 dB
Maximum output voltage: +16 dBu (@ 1% THD into 1 kOhm)
Dynamic range of the mic. amplifier DIN/IEC 651 140 dB (per IEC651, IEC268-15)
Power (Supply voltage): 48 Volts (P48)
Output Connection: 3 pin XLR, balanced output between pin 2(+) and pin 3(-). Pin 1 ground
Weight: 860 grm (4.23 oz)
Dimensions: 209 mm (8.228")

What We Think

"I recently rounded out a pair of the RODE NT2-A (I had owned a single NT2-A for years) and I sure am glad that I did! This really is a fantastic multi-purpose microphone for the studio. It has just the right amount of character to help really "flatter" a source without losing a sense of realism and overall clarity. I really do like my pair over a drum kit. Like the rest of the RODE large diaphragm line, the NT2-A is a beast to hold in your hand - this sucker is stout! RODE could never be accused of making a fragile microphone. Basically, the NT2-A sounds great, is very versatile and durable, and won't break the bank."

Alan Moon - Front End Audio

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Average Customer Review: Based on 1 Reviews. Write a review.

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0 of 0 people found the following review helpful:

High End without the price tag	March 26, 2009
Reviewer: �Lee Rothman from Salt Lake City, Utah

Enough can't be said regarding the overall quality and value involved with this mic. It is not only superbly well constructed allowing for every detail, but it is one of the quietest mics (non existent self noise) of all the microphones available in the world bar NONE. Many like to say a microphone will have a "character". Well if this one has one, it is neutrality. Overall it does what it is told. If you get up front and personal with it you are rewarded with a rich warmth only a fine tube mic can equal. If you stand back a bit it still picks up the air of the singers vocal character. The variable pattern is a plus where as the build quality will take it and never let you down. If you want the performance of a $3000 Neumann and don't wish to lay out the cash, this mic will get you there nicely. Having owned several Neumann's and AKG's top mics I feel I can say that without hesitation.

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