Details
These are the "Standard" version MoreMe headphones.
They're called "MoreMe" headphones because they bring out the detail range of frequencies that you need to hear when you're tracking. "MoreMe" headphones use 32 Ohm, 2-1/2" drivers (a little over 60mm), so they'll work with almost any amplifier and you can use several pair without loading anything too hard. They can hit 105dB (loud enough to cause ear damage).
They have a "Stereo/Mono" switch with easily detachable earpieces, so that two people can use one set of phones (for recording choirs and backup singers). They also have metal adjustable earcup holders (not plastic), so you can bend them to clamp on your head really tight. The MoreMe's have pretty decent isolation, and a low enough price (i.e., dirt cheap) to ensure that even the smallest home studios can afford to have a few sets around without robbing their piggy banks.
Added a a nice little touch: the MoreMe labels are color-coded. Most people don't realize that phones with single cords always have the cord coming out of the left earpiece. Like Sony, there is a label for the left earpiece blue, and the right earpiece label is red (red usually stands for right).
The Studio Deluxe version also has big 3/4" circles that say "Left" and "Right". The left circle is blue and the right circle is red. The Studio Deluxe models also feature a wider, nicely padded headband for additional comfort, a permanent 1/4" stereo plug, and insulation inside the earcup to improve midrange and increase isolation.
What They Aren't:
So what's the downside? They have a damn short coil cord (which I immediately stretch as far as I can), a 1/8" and 1/4" adaptor (which can actually save them from being stepped on). No, they don't sound as good as the Sony 7506s or the Sennheisers or the AKGs. But for tracking, they're good enough (and cheap enough) for most people to use and get outstanding results.
The manufacturer claims 20Hz to 20kHz, but it's actually more like 30 or 40Hz to around 15 or 16kHz. The Studio Deluxe headphones have a little more bass extension, and slightly smoother response. We wouldn't recommend using either of them for final mixes or mastering (We wouldn't use any phones for that), but for tracking, they work great (or at least, they work "good enough").
The Warranty:
We guarantee them to work reliably for 6 months. If they break for any reason during that period, you'll get a free replacement, but you pay for priority shipping. If they break after six months (but within the first year), we'll replace them for $5, plus priority shipping. If they break anytime after the first year, we'll replace them for $10, plus priority shipping.
If Things Go Wrong:
The biggest problem is trying to get something fixed fast when it breaks. With most companies, you run into all sorts of BS about return authorization forms, sales receipts (which you lost years ago), warranty inspection procedures, and a dozen other ways to cause you headaches and take time. All you want to do is get on with your life and get something that will work. Well, we are gonna make all that simple for you. If it breaks during the warranty period, simply contact us and say, "the &%!#@%* things broke". We'll priority mail you a new set immediately, and wait for your old set to come back (along with a check for however much isn't covered under our warranty, listed above). Send the broken set back to us the cheapest possible way.
Specifications
- Impedance: 32 Ohms +/- 10%
- Maximum Input Power: 100 mW
- Frequency Response: 20 - 18,000 Hz
- Distortion : less than 0.5% THD at 105 dB SPL at 1 kHz
- Weight: 56 gram
- Plug: 3.5 mm Stereo (1/8th" plug, w/1/4" adapter)
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