Eventide Reverb 2016 Digital Audio Effects Processor

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Eventide Reverb 2016 Digital Audio Effects Processors

Eventide Reverb 2016

List Price: $2,195.00
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Availability: Usually Ships in 3 to 5 Business Days
Product Code: 8006

Description

Eventide Reverb 2016 Digital Audio Effects Processor Details
Eventide's Reverb 2016 Digital Audio Effects Processor features algorithms identical to the original Eventide SP2016. However, the hardware implementation is state-of-the-art, with features that include a high performance 24 bit DSP, 24 bit analog audio I/O, digital I/O and MIDI interface.

The Reverb 2016 is built to reverb: it's not a multi-effects box. It was designed from the perspective that reverb is used nearly always and warrants a dedicated box with an optimal user interface. The Reverb 2016 UI is extremely easy-to-use featuring dedicated controls for each of the effect's parameters. The controls and display are intuitive. The UI is optimized for the studio and for live performance. Up to 99 user presets can be stored.

While recreating the original reverbs is the Reverb 2016's raison d'etre, it also features brand new, enhanced versions of the originals. These "New" reverbs are not a breakthrough: they have the same basic structure of the originals but with more complex early reflections, higher density, and finer control of the parameters. The "New" reverbs represent the natural evolution of the development work that maxed out the array processing power of the SP2016.

Eventide Reverb 2016 Digital Audio Effects Processor Features

Store up to 99 User Presets
Dedicated reverb processor - NOT a multi-effects unit
Single rack space design
24-Bit DSP
24 bit analog audio I/O, digital I/O
MIDI interface (System Exclusive Control)

Eventide Reverb 2016 Digital Audio Effects Processor Specifications

Audio Input

Connectors - XLR 3-wire balanced (2), 1/4" T/R/S phone jacks (2)
Impedance
- - +4dB/Bal switch position: 100kOhm
- -10dB/Unbal switch position: 50K Ohms
Levels
- +4dB/Bal switch position:
  -2dBu min for full scale
  +20dBu max
- -10dB/Unbal switch position:
  -14dBu min for full scale
  +8dBu max

Audio Output

Connectors
- - 1/4" T/R/S phone jacks (2)
- XLR 3-wire balanced (2)
Impedance
- - 125 Ohms, each side, balanced
Levels
- - +18dBm max, full scale, balanced/unbalanced

Digital Input/Output

Digital S/PDIF Input

Sample Rate
- 44.1kHz - 48kHz (downsampled to 40kHz)
Connector
- Coaxial, RCA type
Digital Input is selected via front panel switch.
Digital Output
- Digital S/PDIF output
Sample Rate
- 44.1kHz or 48kHz with ext clock
Connector
- Coaxial, RCA type
Digital output is always active at 44.1 kHz when not using digital input
Frequency Response
- Dry 20Hz-20kHz, +/-1dB
- Wet 20Hz-16kHz, +-1dB
Dynamic Range
- >90dB, 20 Hz - 20 kHz, Non A-weighted
Sample Rate
- 40.0 kHz
Conversion
- 24 Bits A/D, 24 Bits D/A

Environment

Operating temperature
- 32° to 104°F (0° to 40°C)
Storage
- 20° to 170°F (-30 to 75°C)
Relative humidity
- 95% non-condensing
Throughput delay
- Less than 2 ms.
THD
- <= .05% , 20Hz - 20kHz
Crosstalk
- <= 45dB below full scale

Dimensions

Width 19"
Depth 6"
Height 1.75"
Weight tbd

Reviews

Sound On Sound - May 2004

Mix Magazine - August 2004

What We Think

"The Eventide Princeton Digital 2016 Reverb has become a piece that I just don't ever want to live without... PERIOD. Reverb plug-ins, while convenient, sometimes lack the depth and bredth exhibited by their hardware counterparts. My experience with the 2016 exemplifies this phenomeonon. By comparison to the classic sense of space one gains in their mixes when using the 2016, plug-in reverbs typically are smashed into the same dimension as the instrumental elements; not around and behind the instruments. Gaining this sense of depth is not a problem in the least when using the Eventide 2016."

Alan Moon - Front End Audio