Home
|
My Account
|
Wishlist
|
Help
|
Contact Us
|
Forums
Search by Manufacturer
3 Zigma
A Designs
Ableton
ADAM
ADK
AEA
AKAI
AKG
Alesis
Allen & Heath
ALVA
Antares
APEX
Aphex
API
Apogee
Applied Acoustics
ART
Arturia
Atlas Sound
Audeum
Audio Ease
Audio Technica
Audix
Auralex
Avalon
Avantone
Avenson Audio
Avid
AwTAC
BBE Sound
Beyerdynamic
Big Fish Audio
Black Lion Audio
Blue Microphones
Boss
Brainworx
Brauner
Burl Audio
Burson Audio
CAD
Cakewalk
Cascade
Celemony
Centrance
Chameleon Labs
Chandler Limited
Coles
Community
Crane Song
Crown
Cymatic Audio
DACS
Daking
Dangerous Music
DataDECK
DBX
Ddrum
Direct Sound
DPA
Drawmer
Drumagog
Dynaudio
Earthworks
Ebtech
Echo
Edirol
Ehrlund
Electro Harmonix
Electro Voice
Elysia
Eventide
FBT
Flux
FMR Audio
Focusrite
Fostex
Front End Audio
Frontier Design
Funk Logic
Furman
Genelec
Glyph
Grace Design
Granelli Audio Labs
Great River
Grimm Audio
Groove 3
Hal Leonard
Hear Technologies
Heil
Hosa
IK Multimedia
Ilio
Image Line
Ircam Tools
IsoAcoustics
iZotope
JBL
JJ Audio
JK Audio
JoeCo
Joemeek
John Hardy
JZ Microphones
K&M
KRK
LaChapell Audio
Latch Lake
Lavry Engineering
Lewitt
Lexicon
Line 6
Little Labs
Lucid
Lynx
M-Audio
Maag Audio
Mackie
Magix
Manley
McDSP
MIDI Solutions
Miktek
Millennia Media
Minnetonka
Misa Digital
Mixed Logic
Mogami
Mojave Audio
Monster
Moog
MoreMe
Morley
MXL
MyMix
Mytek Digital
Native Instruments
Neumann
Nomad Factory
Novation
Noveltech
Ocean Audio
Ocean Way Drums
Oktava
Omnirax
On-Stage Stands
Overloud
Pace
Pearl Microphones
Pedaltrain
Peluso
Pendulum Audio
Phoenix Audio
PreSonus
Presonus Propellerhead
Primacoustic
Pro Co
ProjectSAM
Propellerhead
Purple Audio
Radial
RapcoHorizon
Raxxess
Redco
RME
Rocstor
Rode
Roland
Roll Music
Royer Labs
Rupert Neve
Sabra-Som
Samson
SE Electronics
Sennheiser
Shure
Slate Digital
Slate Pro Audio
SM Pro Audio
Smart AV
Softube
Solid State Logic
Sonic Core
Sonic Reality
Sonifex
Sonnox
Sonoma Wire Works
Sony
SoundToys
Speck Electronics
Spectrasonics
SPL
Stedman
Steinberg
Steven Slate Drums
Studio Devil
Studio Projects
Studio Technologies
Studiologic
Submersible Music
Summit Audio
Switchcraft
Symetrix
Synthogy
Tannoy
Tascam
TC Electronic
Tech 21
Telefunken Elektroakustik
Thermionic Culture
Toft Audio
Tonelux
Trident
True Systems
Tsound Productions
Tube-Tech
Ultimate Support
Ultrasone
Universal Audio
Vertigo
Vienna Symphonic Library
Vintech
Violet Audio
Waldorf
Wave Arts
Waves
Wharfedale
Yamaha
Yellow Tools
Yorkville
Zoom
(Your shopping cart is empty)
Email Us
Gear Buy Back
Home
>
Compressors
>
Drawmer DL241XLR Auto Compressor Limiter
Drawmer DL241XLR
Alternative Views:
List Price: $925.00
Our Price:
$849.00
You save $76.00!
Availability:
Usually Ships in 24 Hours
Product Code:
1680
Drawmer DL241XLR Auto Compressor Limiter Details
The DL241XLR is identical to the DL241 except it has XLR connections.
The introduction of the Drawmer DL241 Dual Channel 'Auto-Compressor' highlights the beginning of a new generation of dynamic processors which set new standards of sonic excellence. Its combination of features, displays and well designed control functions make it an outstanding product for a vast range of broadcast, sound reinforcement, and recording applications.
The DL241 'Auto-Compressor' incorporates many automatic functions allowing the engineer to achieve optimum results in the minimum set up time but does not compromise skilled users with limited controls. Its sophisticated design produces a smooth, transparent and warm sonic performance.
Drawmer DL241XLR Auto Compressor Limiter Features
Expander/Gate. Drawmer's unique "Programmed Adaptive Expansion" circuitry allows effective 'single control operation' producing a fast smooth response and eliminating 'chatter' on or around threshold. This design differs from that of conventional Expanders in that the Expansion Ratio, Hold Attack and Release continually adapt themselves to the dynamics of the incoming signal. The Expander/Gate provides 80dB range and variable threshold from +20dB to 70dB with an OFF position.
Switching is provided for 'Fast' or 'Slow' release characteristics. The 'Fast' mode can be used for instruments with rapid decay times or for additional tightening of the gating effect. The 'Slow' mode is more suitable for vocals and instruments with longer decay times or can be used to smooth over rough fade outs. A single LED indicates gating action.
Compressor. A full Auto Attack/Release Compressor with variable Threshold and Ratio successfully combines the smoothness of the 'Soft Knee' principle with the precision of a 'Ratio' control. The advantage of this combination is that instead of the onset of compression being sudden at the threshold point the ratio increases over a 10dB input level range until it reaches the ratio set on the front panel control, thus achieving a more natural sounding compression.
Selectable manual or fully automatic Attack and Release times dramatically extend the application range and user scope of the DL241. Selecting the 'Auto' mode removes the need for manual adjustment and is particularly valuable when the program being treated does not have predictable or consistent dynamics, often the case when processing a complete mix or a virtuoso bass guitar performance. Under manual control the wide range of adjustment available gives the user the ability to create dynamic effects as well as normal compression.
Peak Level. 'Zero Response Time', 'Zero Overshoot' circuitry provides an absolute limit to the peak level of the output signal, adjustable from OdB to +16dB above system level. When set to the required level, any excessive peaks will be stopped and the gain momentarily decreased if necessary. The 'Zero Response Time' is essential to avoid unpleasant distortion when mastering for CD or sending any signal to digital equipment.
'Zero Response Time' means that the DL241 provides complete protection from even the fastest and shortest signal 'spikes' (overloads), making the unit also ideally suited for speaker system protection in sound reinforcement applications.
Metering. Comprehensive bar graph displays give 'at a glance' indications of gain reduction, and output signal level Gain reduction from 1dB to -30dB is shown simultaneously with signal level from -20dB to +15dB Other single LEDs indicate function status of Gating Acton, Auto Mode, Bypass, Peak Limiting, Stereo Linking, and Power On.
Stereo Link. When processing stereo signals, linking should be used to prevent image shifting. This facility ties both channels together. Using channel 1 (left) as the master channel removes the need to duplicate control settings for both channels.
Bypass. A fully balanced hard-wire bypass connects the input directly to the output allowing signal to pass through the unit with no power applied. In bypass the VU level meter displays the Input signal.
Operating Level. The operating level of the DL241 can be instantly switched, independently on each channel, for either +4dBu or 10dBu operation using a rear panel push switch.
Input/Output. The DL241 is available with either XLR connections and fully balanced inputs and outputs, or with stereo jack (TRS) connections, fully balanced inputs and single ended outputs.
Click here to view all Drawmer products
Accessories for this product...
Roll Music Folcrom RMS216 Summing Buss
A Designs PEQ
Monster Standard 100 20 Foot Microphone Cable
Speck Electronics ASC-T 4 Band Equalizer w/ Transf
Our Price:
$775.00
Add
Our Price:
$1,095.00
Add
Our Price:
$29.95
Add
Our Price:
$630.00
Add
HotWires Microphone Cable (25 Foot)
Our Price:
$11.95
Add
Related Products...
SSL X-Rack Dynamics Modules
SPL M/S Master
SSL X-Rack 4000 Series Dynamic
Tube-Tech SMC 2BM Mastering Compressor
Our Price:
$8,100.00
Add
Our Price:
$1,579.00
Add
Our Price:
$889.00
Add
Our Price:
$5,990.00
Add
Manley SLAM! Mastering Version
Pendulum Audio DS-500
Purple Audio Sweet Ten
Drawmer 1968 2-Channel JFET Compressor
Our Price:
$7,740.00
Add
Our Price:
$499.00
Add
Our Price:
$800.00
Add
Our Price:
$1,649.00
Add
Share your knowledge of this product with other customers...
Be the first to write a review